Dr. Helen HUGHES

Geb. 1965, Senior Lecturer seit 2001, Surrey, Großbritannien/Nordirland

Medienwissenschaft - German Studies - Anderes Fachgebiet (siehe Forschungsgebiete) (Fachgebiet) - Film Studies, German Studies (Lehrgebiet)

Kontaktinformationen:

Forschungsgebiete

Besondere Forschungsgebiete Documentary Studies

Monographien (2014) Green Documentary: Environmental Documentary in the 21st Century

Aufsätze und Beiträge

(2019) The Story of Atoms at Work (Crown Film Unit, 1952), Screen 60 (1) pp. 172-180 DOI: 10.1093/screen/hjz001
(2018) Literally Documenting her Voice: Valie Export's Vocal-Visual Experiments with Screen Media. In: Pramaggiore Maria, Honess Roe Annabelle (Eds.), Vocal Projections: Voices in Documentary Bloomsbury.
with Brylla C, (2017) Introduction: The Bricolage of Documentary and Disability, In: Brylla C, Hughes HA (eds.), Documentary and Disability pp. 1-10 Palgrave Macmillan UK
(2017) Coming to Terms with the Present: Andreas Dresen's Wichmann Films (2003/2012), In: Preece J, Hodgin N (Eds.), Andreas Dresen (Oxford: Peter Lang) DOI: 10.3726/b10540
(2017) On Andrew Kötting's Mapping Perception, In: Hughes Helen, Brylla C (eds.), Documentary and Disability pp. 275-289 Palgrave Macmillan UK
(2016). 'The essential is sufficient': the Kafka adaptations of Straub-Huillet, and Michael Haneke. In S. Biderman, & I. Lewit (Eds.), Mediametamorphosis: Kafka and the Moving Image. London: Wallflower
(2015). Documentary and the survival of the film auteur: Agnès Varda, Werner Herzog and Spike Lee. In D. Marcus, & S. Kara (Eds.), Contemporary Documentary (pp. 142-155). London, New York: Routledge
(2015) Between departments: the uses of corporate documentary in environmental communication. In Conference on Communication and the Environment (COCE). Boulder, Colerado. https:/ / theieca. org/ conference/ coce-2015- boulder/presentations/between-departments-uses-corporate-video-online
(2013). Arguments without words in Unser täglich Brot (Geyrhalter, 2005). Continuum: Journal of Media and Cultural Studies. doi:10.1080/10304312.2013.772112
(2012). Scrutiny and Documentary: Hubert Sauper’s documentary film, Darwin’s Nightmare. Screen, 53(3), 246-265. doi:10.1093/screen/hjs023
(2012). The visual rhetoric of climate change documentary. In A. Carvalho, & T. R. Peterson (Eds.), Climate Change Politics: Communication and Public Engagement (pp. 87-120). New York: Cambria Press.
(2011). Humans, sharks and the shared environment in the contemporary eco-doc. Environmental Education Research, 17(6), 735-749. doi:10.1080/13504622.2011.620702

with Brady, M. (2010). Import and Export: Ulrich Seidl’s Indiscreet Anthropology of Migration. In R. von Dassanowsky, & O. C. Speck (Eds.), New Austrian Film. New York, Oxford: Berghahn.
with Brady, M. (2006). Downfall and Beyond: Hitler Films from Germany. GFL-Journal (German as a Foreign Language), 3, 94-114.
with Brady, M. (2005). “Diese Deutschen, Diese Briten: Documentary Filmmaking in Newcastle and Rostock”. In S. Berger, & N. Laporte (Eds.), The other Germany: Perceptions and Influences in British-East German Relations, 1945- 1990 (Vol. 52). Augsburg: Wißner, Augsburg.
Hughes, H., & Brady, M. (2002). Kafka Adapted to Film. In J. Preece (Ed.), The Cambridge Companion to Kafka (pp. 226-241). Cambridge: Cambridge University Press.
(2001). The Material World: A Comparison between Adalbert Stifter's historical novel Witiko and Robert Bresson's film Lancelot du Lac. In O. D. A. J. Preece (Ed.), Travellers in Time and Space/Reisende durch Zeit und Raum. The German Historical Novel/Der deutschsprachige historische Roman (pp. 199-208). Amsterdam/New York: Rodopi.
(2000). Films and Texts. with M. Brady (Eds.), Deutschland im Spiegel seiner Filme (pp. 3-13). London: CILT, AMGS.
(1999). Documenting the Wende: The Films of Andreas Voigt. In S. Allan, & J. Sandford (Eds.), Defa: East German Cinema 1946-1992 (pp. 283-301). New York, Oxford: Berghahn.
(1998). German Cinema. In E. Kolinsky, & W. V. D. Will (Eds.), The Cambridge Companion to Modern German Culture (pp. 302-321). Cambridge: Cambridge University Press.
(1997). ‘Die verschobene Antigone’ Böll's contribution to the film Deutschland im Herbst. Dayton Review, 24(3).
(1997). The Hand as Text and Image: On Valie Export's 'Koerpersplitter'. In J. Morrison, & F. Krobb (Eds.), Text into image, image into text (Vol. 20, pp. 353 pages). Amsterdam/Atlanta: Rodopi.
(1996). ‘daß er jetzt ein Exemple statuieren werde’: on Thomas Bernhard's Exempel. German Life and Letters, XLIX(3), 373-386.
with Brady, M. (1995). German Film After the Wende. In J. R. P. McKenzie, & D. Lewis (Eds.), The new Germany (pp. 276-296). Exeter: Univ of Exeter Press
with Brady, M. (1994). Death in Berlin: Reflections on Celan's DU LIEGST. EONTA, 2(2), 12-15.
(1994). visible bodies: introducing valie export's unsichtbare gegner. EONTA, 2(1), 11-15.

Dissertation (Titel) The Bureaucratic Muse (on texts by Adalbert Stifter, Franz Kafka, Thomas Bernhard and Oswald Wiener)

Dissertation - Jahr der Publikation 1994

Übersetzungen

Kluge A, Negt O. (2014) History and Obstinacy. New York : Zone Books (co-translator)
Kluge A. (2010) Seven Love Stories. Paris : Shakespeare and Company The Paris Magazine, (4), pp. 79-93
Kluge A. (2007) Cinema Stories. New York : New Directions

Herausgebertätigkeit

(2017) Documentary and Disability. London: Palgrave Macmillan (with Catalin Brylla)
(2000) Deutschland im Spiegel seiner Filme (with Martin Brady)

Zusätzliche Kurzinformationen BA, PhD (London)

Letzte Aktualisierung: Tue Jun 30 14:13:26 2020

Dr. Helen HUGHES

HERAUSGEBER*INNEN